Kristin Anderson
July 8, 2009
One of a series of found objects recontextulized into halos, exploring the range of sources, benefits, and drawbacks to being a “good girl.”
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One of a series of found objects recontextulized into halos, exploring the range of sources, benefits, and drawbacks to being a “good girl.”
The Latch is Off recounts an early and culturally shameful sexual experience. Prince, positions the experience, and therefore a more honest view of sexuality, as an integral part of a state of being whole. The piece can be viewed at http://www.deniseprince.com – the second miniature square under portfolio one
Gathered beech leaves,
sewn together like faire wings,
celebrate the sweet nectar of life.
At the end of winter, these golden leaves are the first glimmer of the new cycle to come;
the last shimmers still clinging to their branches in the now bare forest.
Each leaf was collected individually from a stand of beech trees,
after first [...]
As a child I identified with certain storybook characters,
I’d imagine being in their place, living my life through theirs somehow.
On hearing “The Three Bears” story,
I identified with the bears and wanted to live in their home,
and be apart of their family.
‘the three bears’ house’ is a pink quilted yurt-like structure
with a spacious circular interior similar [...]
Monstrous Feminine in Mexico is a performance that took place in Mexico in June 2009, at the Coba Mayan jungle ruins and in Kokay (which means “fireflies” in Mayan language) in place called the Xpu Ha Jungle. I created a hand sewn, hand-dyed costume using WWII fabric straps/bandages and gold and silver chains, as a [...]