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	<title>Comments on: Cindy Rehm</title>
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		<title>By: CindyR</title>
		<link>http://www.losingyourself.com/devour/comment-page-1/#comment-25</link>
		<dc:creator>CindyR</dc:creator>
		<pubDate>Fri, 10 Apr 2009 23:11:57 +0000</pubDate>
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		<description>Dear Susan,

Thanks for your insightful comments! I am interested in the relationship between hysteria and feminist performance art. I think the strongest connection between the two is the focus on the body as medium. Hysteria and feminist performance engage in a dialogue created by the excessive body, they both speak through flesh that cannot be contained or controlled. With Pane and Mendieta, the surface of the body often becomes a metaphor for internal as well as universal conditions and experiences.

Recently, I’ve been hearing a lot of discussion concerning contemporary art and the use of a persona to generate work. I don’t see my work in that vein. I am much more aligned with 70s body art strategies that utilize the body as both literal and symbolic material. To me, the idea of persona is related to theater, and I come to video and performance firmly from a visual art background. I’m influenced by many sources, but the work is always filtered through a visual process. 

Cindy</description>
		<content:encoded><![CDATA[<p>Dear Susan,</p>
<p>Thanks for your insightful comments! I am interested in the relationship between hysteria and feminist performance art. I think the strongest connection between the two is the focus on the body as medium. Hysteria and feminist performance engage in a dialogue created by the excessive body, they both speak through flesh that cannot be contained or controlled. With Pane and Mendieta, the surface of the body often becomes a metaphor for internal as well as universal conditions and experiences.</p>
<p>Recently, I’ve been hearing a lot of discussion concerning contemporary art and the use of a persona to generate work. I don’t see my work in that vein. I am much more aligned with 70s body art strategies that utilize the body as both literal and symbolic material. To me, the idea of persona is related to theater, and I come to video and performance firmly from a visual art background. I’m influenced by many sources, but the work is always filtered through a visual process. </p>
<p>Cindy</p>
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		<title>By: Susan Richmond</title>
		<link>http://www.losingyourself.com/devour/comment-page-1/#comment-22</link>
		<dc:creator>Susan Richmond</dc:creator>
		<pubDate>Fri, 10 Apr 2009 17:49:34 +0000</pubDate>
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		<description>Hi Cindy,
Thanks for your posting. Your work is terrific. I see a lot of parallels with early feminist art practices. Action Pants is obviously referencing Valerie Export,  but I see a resonance with artists such as Gina Pane and Ana Mendieta too. I was wondering if you would say a bit about how you conceive of your relationship to earlier feminist practices, particularly in relation to the concept of hysteria. Cixous, as you indicate on your website, has a lot to say about women&#039;s hysteria as a productive form of protest or resistance against gender norms. Hysteria is also about repossessing the past, of excavating repressed histories, so I wonder if you conceive of your relation to past feminist art forms in these terms as well, as a kind of hysterical mimicry?

Cheers,
Susan R</description>
		<content:encoded><![CDATA[<p>Hi Cindy,<br />
Thanks for your posting. Your work is terrific. I see a lot of parallels with early feminist art practices. Action Pants is obviously referencing Valerie Export,  but I see a resonance with artists such as Gina Pane and Ana Mendieta too. I was wondering if you would say a bit about how you conceive of your relationship to earlier feminist practices, particularly in relation to the concept of hysteria. Cixous, as you indicate on your website, has a lot to say about women&#8217;s hysteria as a productive form of protest or resistance against gender norms. Hysteria is also about repossessing the past, of excavating repressed histories, so I wonder if you conceive of your relation to past feminist art forms in these terms as well, as a kind of hysterical mimicry?</p>
<p>Cheers,<br />
Susan R</p>
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