Hi Jessica,
I was wondering if you could share a statement about your work and working methods. Do you always feature children? What is your thinking about the layering and multiple perspectives?
Sure Susan, Thanks for the inquiry. My work does not feature children exclusively, but tends to revolve around posed images of a family or family members. Below is a statement about the nature of this body of work.
Thanks,
Jessica
Families are strange, and I’m interested in why we try to pretend like they’re not. There is a familiarity we seek and feel with commonplace portraiture, and I investigate methods of making these familiar images seem oddly unfamiliar.
Portraits generally display a desired, quintessential image of a person. It is often, however, that the image depicted is a façade for the myriad of personalities that make up the subject of the portrait. I’m interested in the complexities of people, and how their various identities are lost upon the capturing of a portrait and the image that remains.
The multiple layering and duplication of each subject is inspired by the proliferation of the phenomena in which so many of us, like a society of clones, succumb to the standard of presenting ourselves to the world in a portrait in which a smiling face masks the true identities of the person within.
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About this site
LOSINGYOURSELF.COM is a virtual platform and blogspace for U.S. based women (and women-identified) artists, curators and art professionals exploring issues of identity and subjectivity in the 21st century. We invited postings that engaged the title’s theme of a “loss of self” from any perspective, but were especially interested in projects that addressed the intersection of new media technologies and gendered subjectivity.
This site also served as a “call for participation” for the exhibition Losing Yourself in the 21st Century. The exhibition was presented in the fall of 2009 at the Welch School Gallery, Georgia State University, Atlanta, and at Maryland Art Place, Baltimore, from February to March 2010. This exhibition features time-based, interactive, and performative work by emerging U.S. women artists. Those interested in participating in the exhibition posted to the site.
Hi Jessica,
I was wondering if you could share a statement about your work and working methods. Do you always feature children? What is your thinking about the layering and multiple perspectives?
Thanks for posting.
Susan
Sure Susan, Thanks for the inquiry. My work does not feature children exclusively, but tends to revolve around posed images of a family or family members. Below is a statement about the nature of this body of work.
Thanks,
Jessica
Families are strange, and I’m interested in why we try to pretend like they’re not. There is a familiarity we seek and feel with commonplace portraiture, and I investigate methods of making these familiar images seem oddly unfamiliar.
Portraits generally display a desired, quintessential image of a person. It is often, however, that the image depicted is a façade for the myriad of personalities that make up the subject of the portrait. I’m interested in the complexities of people, and how their various identities are lost upon the capturing of a portrait and the image that remains.
The multiple layering and duplication of each subject is inspired by the proliferation of the phenomena in which so many of us, like a society of clones, succumb to the standard of presenting ourselves to the world in a portrait in which a smiling face masks the true identities of the person within.