Kristin Anderson
July 8, 2009

"Halo (Target)" Used dartboard, spray paint, 13.5 x 13 inches, 2009
One of a series of found objects recontextulized into halos, exploring the range of sources, benefits, and drawbacks to being a “good girl.” See more at www.kanderson.tv.
Hi Kristen,
Please tell us a little more about how your objects explore issues of gender. I visited your site and saw work that explored gender and religion.
I’d be interested in learning more about how religion figures into your practice.
Best regards,
Jillian
I am intriqued by the good girl bad reference. I believe we all go through that. I will check out your website as well.
Best,
Rose M Barron
Hi,
I had posted my artist’s statement in my profile, not realizing that there was no way for all of you to see it! So here it is, and I hope it answers your questions.
Thanks for the comments!
My identity is tied to my “angel,” my ingrained tendency to be a “good girl.” It is also my personal struggle as I experience the side effects and disappointments that no one warned me about. As I go through life I am forced to reflect and reevaluate the definitions of good and the premise that it is best to be good/right/perfect; that good things happen to good people. This is not to imply that I have any desire to bad. I do not relate to art about the fight with the devil. Therefore, I am exploring the origins, reinforcements, and vestiges of societal definitions of good, what is expected, how attainable it
really is, and the drawbacks, frustrations, and ramifications on individuals and societies that try, in futility, to go beyond simply being “good enough” and to live up to superhuman, superstitious, ideals. Since Christianity is the basis for our societal definitions of good and bad in America, I use religious iconography in my work. Concepts behind the work are often rooted in classic and contemporary feminism.
-Kristin Anderson